Size matters…

What do we think about buying that piece of art? More specifically what do we think about large statement pieces? Bringing a statement artwork into your home isn’t as daunting as you may think… It has the potential to change your living environment with monumental impact and inspire you to think around further inter design projects within your home or office. It doesn’t have to be that piece which ‘just fills the space…’ Having a statement piece not only finishes off a room design but also shows off your personality and tastes. Depending upon colour and content it has the potential to change your mood and energy.

As we move ever closer to spring and with an element of warmth in the air we have chosen 10 large, vibrant, statement artworks from our portfolio of emerging and established artists

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‘Evolution’ by Kirsty Mackay

Beautiful abstract, this work comes presented within a modern, white wooden frame.

 

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‘Moss’ by Nick Holdsworth

Original artwork, Spray painted on pixelated paper. Mounted and framed within a gloss white modern frame.

 

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‘Me Time’ by Darren Fraser

Straight from the artist studio. This piece is unframed, paint still wet but ready to hang!

 

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‘A Full Fleet Start’ by Jan Nelson

Full of energy, Jan Nelsons love of the sea brings energy and life to her work. This piece is beautifully presented within a large white wooden frame and measures 172cm in width by 100 in height.

 

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‘A Walk to Big Ben’ by Rachel Tighe

By utilizing her background within an illustration industry, Rachel’s execution of the work is impeccable!

 

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‘Atomised in Blue’ by Russell Hatton

30 years in the making… this incredible artist has honed his skills by using industrial paint and transformed the way we view abstract art!

 

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‘Ludgate Hill’ by Alicia Dubnyckyj

Alicia Dubnycykj is an exciting artist who brings a sense of the speed and vibrance of her chosen cities to stunning life on her large boards.

‘Bettie Page’ by JJ Adams

This original to the sold out signed limited edition is available via appointment within our gallery. A piece of much content, box canvas, framed within a black modern frame and reaching almost 6ft in height.

 

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‘Bettie Page’ by JJ Adams

This original to the sold out signed limited edition is available via appointment within our gallery. A piece of much content, box canvas, framed within a black modern frame and reaching almost 6ft in height.

 

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‘Its Elvis F**king Presley’s Gun’ by Russell Marshal

The birth of cool. This lovely silkscreen packs a punch!

 

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‘Superwoman’ by Joel Moens de Hase

1000’s of tiny images meticulouslky placed to create one life size image.

For all these works and others view online or visit our Nottingham gallery.

12A Flying Horse Walk, Nottingham, NG1 2HN

Tel – 01159243555

 

The best is yet to come…

 

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For more than 100 years, art has been defined by rebellion. From the surrealists’ rejection of the rational to the political paintings of Picasso, rebellion has underpinned much of the driving force of many artistic movements and evidences the need to push boundaries and try something different. Keeping clients and collectors entertained and expressing visually the rage against whatever particular machine that has roused the artist’s ire. This is easier said than done. Even legendary performers such as the late great Prince and Paul Weller have stumbled when trying to create a different and unique style. Trying to rebel against conventional taste. Taking time to cite Paul Weller, this is a man who rose to fame quickly with his notorious punk band The Jam, before slipping into uncertain waters for pretty much a decade. Failed albums and on the verge of bankruptcy he self-financed and produced a monumental album, ‘Wild Wood’ followed shortly by, according to Rolling Stone, what was one of the greatest album ever, Stanley Road. A true tale of the rise and fall and rise again! Excuse me as I digress, but my aim to discuss the musical talent of Weller is really to compare this to the ideals of an artist. One who won fame quickly and justly? Wanted something different but it was rarely accepted and yet he still wanted to offer us something incredibly via commitment to and belief in his talent. This brings me onto to the incredible artist JJ Adams. An artist, who like few others, bounced onto the Art scene with incredible force. Aided by his modest publishing house and a select number of galleries, his works would sell within minutes. This due to secondary market and a control beyond the reach of JJ Adams, it proves what a legacy he was carving. Like many artists, including Weller, JJ Adams late last year wanted to try a different angle, sample new styles and experiment with different techniques. A body of work that he produced which was met with a lack of enthusiasm in the market place. However, his ‘Surgery Collection’ was by no means a flop and I for one feel we will look back on this collection with admiration and in fact art history has taught us that its these ‘under the radar’ collections tend to be worth their weight in gold in years to come. There was a time Picasso’s ceramics were frowned upon and just look how collectable they are today.

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‘Exterminate’ by JJ Adams
Signed limited edition. (edition of 45)

 

In a world where the industry is changing rapidly and consumers are on the hunt for familiarity if you provide something rebellious and differing from the norm it will always be met with some caution. We know this by studying work produced by Damien Hirst, Banksy and even Warhol who created art which his peers described as Bonfire fuel! So to conclude, as JJ entertains his colleagues and collectors, he continues to produce work that sells within minutes. Limited editions and originals sell before they hit the gallery walls; JJ is becoming well renowned within his field, a notable artist on the auction house market and a stable rebellious artist that is adorning many a private collection. He has bounced back with a vengeance,  proving to everyone he is an artistic force to be reckoned with. I think now, in years to come, people will be disappointed that they may have missed this furious wave of cultural rebellious artwork produced by this young talent. JJ Adams has a high mountain to climb and although moving quickly, this fickle art market will produce some pitfalls but in my mind he is worth watching and I’m sure by his own admission ‘The Best is yet to come…’

New work…

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‘Route Master’ by JJ Adams
Signed limited edition. (edition of 195)
£575 (Framed). Own Art available, spread the payment over 10 months, interest free.

 

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‘James Bond – 007’ (Black and White)
Signed limited edition. (edition of 195)
£495 (Framed). Own Art available, spread the payment over 10 months, interest free.

 

For more information contact us. View work online at George Thornton Art  View work in the flesh in our Nottingham Gallery.

12A, Flying Horse Walk,

Nottingham,

NG1 2HN

Tel – 01159243555  E.Mail – george@georgethorntonart.com

JJ Adams – Tattooed..

The gallery is proud to present exciting new art by this incredibly popular artist. Welcome back JJ Adams and his tattoo collection of works.

With a two year waiting list for an original commission, limited editions sell out within days, sometimes within a few hours of being released. Mr JJ Adams: a quiet unassuming provocateur of the contemporary art form creates interesting works! Here; the gallery has two new limited editions available. These new pieces have just been released by his Publishing house and we simply just love them!

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“No Place Like Home”
Black and White Edition (edition of 75)

Full of hidden gems, the artwork has the Classic and Iconic Judy Garland wearing her new Jimmy Choo’s, Tattoo’s referencing the Brain for the Scarecrow (E=Mc2), Poppy Tattoos for the Poppy field she fell asleep in, Courage tattoo on her hand for the Lion and piece of straw in her teeth for the Scarecrow as well

Medium: Signed limited edition of just 75
Framed dimensions 35’’ by 41’’
Price : £495
Own Art available; no deposit followed by 10 monthly instalments of £49.50

 

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“The Goblin King”
Black and White edition (edition of 75)

As an acknowledgement of Bowies struggle with Cancer before his sad and premature passing this year we will be donating a percentage of  “The Goblin King” sales to the charity ‘British Live Trust’.

Medium: Signed limited edition of just 75
Framed dimensions 35’’ by 41’’
Price : £495
Own Art available; no deposit followed by 10 monthly instalments of £49.50

 

For more information do contact the gallery –

George Thornton Art
Unit 12A, Flying Horse walk, Nottingham, NG1 2HN.
+44 (0)1159 243 555 –www.georgethorntonart.com

What makes the artist JJ Adams so popular?

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JJ Adams…

This exciting young artist is touted as being the Next Big Thing on the British art scene. With his challenge to the heart of British cultural values – members of the Royal family displayed with full sleeve tattoos, iconic buildings such as Buckingham Palace or the Palace of Westminster depicted defaced by graffiti, Adams strikes at the heart of our cultural consciousness with his work.

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“Rule Brittania – St Pauls”

In the same way that Banksy became the art world’s darling, filling the vacuum left by the end of the love affair with the YBAs, Adams is making a name for himself, aided by Wishbone Publishing, with his phenomenal output. Born in Plymouth, Adams was raised in South Africa, remaining there until the end of the apartheid era when he returned to these shores with the aim of becoming a tattoo artist. Little wonder then that his obsession with body art spills over into his work, evidenced in his ‘Tattoo Series’ where icons of royalty, music and the silver screen are depicted with awesome full sleeve and knuckle tattoos. The ubiquity of the tattoo in mainstream culture must play a part in his appeal to the mainstream art audience, but there is more to his art than purely capitalising on a social trend. His interest in printing and in graphic design – honed when working in the South West as a printer whilst experimenting with art in his spare time – are evident in the stylised way much of his work is presented. Combining media such as printing, collage, spray paint, screen prints and hand painted acrylics, his work has attracted attention from Christie’s, Rolls Royce, Vogue and GQ magazines with its rawness, energy and passion, but also with its accessibility and broad subject appeal.

But, like Banksy, Adams is certainly not a mainstream fine artist, and similarly, much of his work remains true to the roots of his style and influences. Where Banksy’s popularity came from the street through recognition of his graffiti and its subsequent elevation to ‘art’, Adams work is equally accessible and most importantly recognisable in its representation of things ‘normal’ that have been given Adams’ treatment which, in challenging their orthodoxy, cause the audience to consider their own response to these significant cultural icons. However, being able to picture Buckingham Palace with graffitied gate posts somehow appeals to the British sense of humour and perhaps more importantly makes the audience question why the imagery is such a visual shock. To have the artistic vision to produce works that speaks on such an accessible level to the man in the street and yet which so cleverly strikes at the heart of our culture is evidence of Adams’ skill and gives a big clue as to why his work is generating such excitement in the art – and wider – community. Fundamentally this is what makes JJ Adams so popular and undeniably an artist to invest in!

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“Love Gun”

Signed limited edition print on paper. Framed just £435.

(Own Art available, spread the payment over 10 months interest free)