The Art of Anna E Davies

Really LOVE, LOVE the art of Anna E Davies at the moment. Feel she is doing something different & really interesting. She works on board, telephone directories and using oil she works with abstract strokes to produce incredible figures.

See further work online – George Thornton Art

Journey

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The Art by Anna E Davies is on permanent display at George Thornton Art

(12A Flying Horse Walk, Nottingham, NG1 2HN) (Tel : 01159243555)

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Anna E Davies – Shifting Perceptions

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Welsh painter Davies takes inspiration from her day-to-day environment in Nottingham, revealing the underlying sentiments and sensations lurking in mundane, everyday experiences.

Her ruddy, fleshy figures recall the grubby worlds of Raymond Briggs and Quentin Blake as much as Francis Bacon’s contorted dreamscapes. Here the mind is making a break for it through the body and reality is worming its way out from under appearance.

Self portrait (full)

The shifting, fuzzy face of the grim figure in Reflection (below) stands in stark contrast to the defined shape of the teacher or perhaps self portrait seen in Sketch (above image)

Davies work here recalls the existentialist philosophy of Heidegger and Sartre with the subject of Sketch defined and submerged into the social identity of the teacher, while the figure in Reflection is confronted with the terrible freedom of authenticity and the clamouring, battling swirl of multiple identities.

Reflection

The Gallery welcomes this fine emerging artist to our books. Already a positive reaction we anticipate Davies to be an artist not to be overlooked. Click here to find out more

George Thornton Art : 12A Flying Horse Walk, Nottingham, NG1 2HN

Telephone – 01159243555

Day in Margate – Tracey Emin’s infamous “Bed”

The weather was cold and wet, not worth staying home for, so, little trip down Margate seem liked a good idea. The white angular Turner Contemporary, is a stark contrast to the historic Margate seafront and light years away from the Dreamland amusement park at the other end of the prom.

The Contemporary’s current exhibition, pairing Tracey Emin’s infamous “bed” with original Turner seascapes, seemed incongruous. Until you remember, Turner was as eccentric and controversial in his day, as Emin and the rest of the Young British Art movement were in the nineties.

On it’s own in the middle of the Gallery floor, Turners hung behind, “the bed” looked a little like something that had been dropped from the sky. Dirty underwear and rumpled sheets, empty bottles, cigarette stubs and condoms, yellowing a little and showing their twenty years of age.

It was like a story part told, the action stopped unfinished. Surprisingly, the Turners have the same quality, sea frozen, stopped as the waves crashed. Two moments in time, captured, centuries apart.

The end of the story came from Emin’s video narrative of the bed’s reconstruction, it brought humanity I had not previously seen. “The bed” was her chaotic world and it’s conception changed that world, catapulting her into the art world’s spotlight.

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For Emin, twenty years on, she is voluntarily dry, celibate and non smoking. What ever you may think of it as art, it is possible that “the bed” saved at least one life.

George Thornton Art – Keep updated – http://www.georgethorntonart.com/register

12A Flying Horse Walk,

Nottingham,

NG1 2HN

tel : 01159243555 web : http://www.georgethorntonart.com