Gender Pay Gap? Not in this Gallery…

Reported in the Guardian this week the BBC’s gender pay gap is not so much a single chasm as a series of geological fault-lines. The most egregious discrepancy is that top rates of pay are skewed towards men by two-thirds, and that on-air talent is doing remarkably similar jobs for very different rewards.

Lack of opportunity for women is still a very real issue. A lack of senior female figures on the boards of UK business and industry greatly undermines our economy and makes for a perpetuation of male dominated patterns of behaviour in the professional world. So is this the same in all industries? The art-world perhaps?

Gender imbalances continue to plague the art world in 2017 is a matter of fact. However, to employ an old adage, Rome wasn’t built in a day—and we’d be remiss to overlook progress when we see it. Women in the arts today are (finally) getting their turn. Helen Marten scooped this year’s Turner Prize. Georgia O’keeffe ‘Weed and White Flower’ selling for an excess sum of $44 million. Both these facts compound that perhaps gender equality within the art world is reducing? Although George Thornton Art maybe a modest sized gallery within the industry, we do boast an almost 50 / 50 ratio between female and male artists on our books and with prices ranging from £500 to £5,000 these women are certainly making a huge impact on our accounts and with our clients! No gender pay gap either. Its a strict ratio across all our artists. No inequality here, just really great art!

You can view work by our celebrated body of females below and further compositions can be found on our website.

Transparency - 120cm x 120cm - £1,150

Kirsty Mackay – ‘Transparency’

Yellow Peril

Jan Nelson – ‘Yellow Peril’

KJD - Silverback

Katy Jade Dobson – ‘Silverback’

Morna's Fray

Nom Kinnear King – ‘Morna’s Fray’

Eiffel Tower in Spring (low)

Rachel Tighe – ‘Eiffel Tower in Spring’

The shock of the new

Victoria Horkan – ‘The Shock of the New’

George Thornton Art

12A Flying Horse walk

Nottingham

NG1 2HN

Tel : 01159243555

Mob : 07523323038

www.georgethorntonart.com

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Paper Trail

study for hope

 

Paper Trail – An invitation to attend and exhibition of works on paper.

Elizabeth Tower and Flags - 85 - 50 DRS

‘Elizabeth Tower’ by Donna Rumble – Smith

Stitched Treads on to Paper, mounted and framed.

A personal invite to our latest showing. An Exhibition of works on paper. ‘Paper Trail’ brings together a range of artists, who cover a broad spectrum of drawings and mixed media.

Exhibition, Saturday 22nd – 28th April

You are warmly welcome to come and meet a number of artists that opening Saturday 1pm until 4pm. Donna Rumble Smith, Jane Thomson and Darren Stevenson to name but a few will all be present in the gallery to talk about their techniques, ideas and inspirations.

Come and enjoy a glass of wine and view stunning original artwork.

Pretectiv - JTH

‘Pretectiv’ by Jane Thomson

 

The River - IHO

‘Pass’ by Ian Hodgson

The work of Ian Hodgson, is perfect for that peaceful spot in the house.

For more information or to receive the full brochure of artist and works on paper to contact the gallery.

12A Flying Horse Walk, Nottingham, NG1 2HN

Tel – 011589243555

 

What makes the artist JJ Adams so popular?

          Twiggy Tattoo Large 24x30 - Copy          Summer Lovin T Bird Version 24x30 - Copy

JJ Adams…

This exciting young artist is touted as being the Next Big Thing on the British art scene. With his challenge to the heart of British cultural values – members of the Royal family displayed with full sleeve tattoos, iconic buildings such as Buckingham Palace or the Palace of Westminster depicted defaced by graffiti, Adams strikes at the heart of our cultural consciousness with his work.

Rule Brittania - St Pauls Cathedral 20x30

“Rule Brittania – St Pauls”

In the same way that Banksy became the art world’s darling, filling the vacuum left by the end of the love affair with the YBAs, Adams is making a name for himself, aided by Wishbone Publishing, with his phenomenal output. Born in Plymouth, Adams was raised in South Africa, remaining there until the end of the apartheid era when he returned to these shores with the aim of becoming a tattoo artist. Little wonder then that his obsession with body art spills over into his work, evidenced in his ‘Tattoo Series’ where icons of royalty, music and the silver screen are depicted with awesome full sleeve and knuckle tattoos. The ubiquity of the tattoo in mainstream culture must play a part in his appeal to the mainstream art audience, but there is more to his art than purely capitalising on a social trend. His interest in printing and in graphic design – honed when working in the South West as a printer whilst experimenting with art in his spare time – are evident in the stylised way much of his work is presented. Combining media such as printing, collage, spray paint, screen prints and hand painted acrylics, his work has attracted attention from Christie’s, Rolls Royce, Vogue and GQ magazines with its rawness, energy and passion, but also with its accessibility and broad subject appeal.

But, like Banksy, Adams is certainly not a mainstream fine artist, and similarly, much of his work remains true to the roots of his style and influences. Where Banksy’s popularity came from the street through recognition of his graffiti and its subsequent elevation to ‘art’, Adams work is equally accessible and most importantly recognisable in its representation of things ‘normal’ that have been given Adams’ treatment which, in challenging their orthodoxy, cause the audience to consider their own response to these significant cultural icons. However, being able to picture Buckingham Palace with graffitied gate posts somehow appeals to the British sense of humour and perhaps more importantly makes the audience question why the imagery is such a visual shock. To have the artistic vision to produce works that speaks on such an accessible level to the man in the street and yet which so cleverly strikes at the heart of our culture is evidence of Adams’ skill and gives a big clue as to why his work is generating such excitement in the art – and wider – community. Fundamentally this is what makes JJ Adams so popular and undeniably an artist to invest in!

Love-Gun web file

“Love Gun”

Signed limited edition print on paper. Framed just £435.

(Own Art available, spread the payment over 10 months interest free)

Starting Tomorrow, The Darren Stevenson Exhibition, ‘The Calm Before the Storm’

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The Exhibition, starting tomorrow will run for one week until Friday 20th December. With a special appearance from the artist Stevenson between 1pm and 4pm.
A healthy serving of wine and cheese will be on offer (how could you resist?)

We all find inspiration in different places, people and objects and in honour of the exhibition, we thought it would be worthwhile saying a little about the great man who inspired Stevenson and has been a driving force behind his incredible artwork; J. M. W. Turner.

Perhaps best know for his work ‘The Fighting Temeraire’ he had a career that spanned half a century and is regarded by many to be one of the finest British artists to have lived.

Focusing mainly on the destructive forces of man and nature Turner is able to capture beautifully the changing nature of British life. Depicting contrasting scenes of the new industrial landscape against Britain’s past of sail boats and expansive green fields. Reflecting and adding to the efforts of other British Romantics working at the same time such as Wordsworth and Byron.

Like Turner, Stevenson has become entranced by the beauty of the open sea, primarily using coastal scenes in his work often using destructive imagery championed by Turner. A brilliant example of this in action is Stevenson’s ‘Storm’ as featured below.

To see ‘Storm’ and other amazing works, be sure to come along tomorrow or in the week and check out the full exhibit. For more information contact George or Daniel at The Gallery, or find us online.

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‘Storm’
Dimensions: 30″ x 30″
Original Artwork: Oil on Board
Price: £1150 or just 10 monthly instalments of £115 (interest free)